The sweet deluxe 12" package from Fixed Identity, including photographic liner-notes/credits insert, 8-panel 11x17 archival posters/propaganda foldout, and full-color 30 Year Reunion Mini-Tour commemorative postcard! Download portion Includes 28-page PDF doc with photos, posters and other Prefabs paraphernalia.
Includes unlimited streaming of Peace Love & Alienation
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
includes 28-page PDF doc with photos, posters and other Prefabs paraphernalia
A self-described "1982 Wormtown vault extraction", released as a 12" vinyl 45rpm EP by Fixed Identity, and distributed in the US by Revolver USA. Available in UK/Europe from Volcanic Tongue.
30 years after The Prefabs' humble-yet-brash beginnings (first gig: 11/15/1981!), Fixed Identity is stoked to present a 12" 45-RPM vinyl release featuring 8 newly Jay Rajeck-remastered songs from the shoebox tape archives (Jay has also done mastering for Ariel Pink, Martin Newell, etc).
As well as having two Bobb Trimble-produced tracks, 'Peace Love & Alienation' contains live cuts, a reverb-soaked Casiotone doom-pop nugget ("Sacred Cow"), a living room ethno-forgery excerpt ("Rice 4 a Sheik"), and a screwy dub-punk experiment ("Prefab City Dub").
The impressive 12" vinyl package features a foldout zine insert with archival show flyers, art, writings, etc.
Cobbwebbed-basement mystery surrounds this early-80s Worcester MA combo that dared (if they were even aware of it) to infuse proto-lo-fi post-punk clatter with drizzles of off-kilter psych and lashings of left-field garage-pop melodicism -- all informed by an attitude combining cryptic social digs, bone-dry wit and Dadaist pranksterism. Anthology Recordings (a one-time digital retailer of rare/collectible music) declared that The Prefab Messiahs "manage to perfectly execute the difficult joining of punk, psych, and garage." Some have waxed less analytically, too: in psych-legend Bobb Trimble's song 'Armour of the Shroud', he wrote 'Well the Rolling Stones come to town / don't throw the Prefab Messiahs out of bounds / God save those dreamers / they're all that's left sometimes." As it turns out, Mr. Trimble produced two songs here: "The 16th Track" and "Desperately Happy", adding backwards bass and real blows against Satan to the former.
released 06 December 2011
Xerox Feinberg - gtr, voc, VL-1
Doc Michaud - gtr, voc, VL-1
Trip Thompson - bass, voc
Billy Brahm - drums on 2 (middle), 7
Tony Serrato - drums on 2 (start/end), 5, 6, 8
Egg Al - spoken intro on 1, voc/perc on 4, gen'l mania
Jeff Lipton - 1998 transfer & restoration
Joe Turner - 2010 additional engineering
Jay Rajeck - 2011 mastering
Kris Thompson - project & mastering supervision
Bobb Trimble - producer on 5 & 8, tone generator + backwards bass + scripture on 8, guru, pied piper
Taylor Richardson - graphics coordination
Fixed Identity - LP format release
Left-field DIY post-punk garage-pop-psych provocateurs! Originally launched during the 80s Wormtown (Worcester MA) scene.
Dada-addled daydreamers, wobbly genre grinders practicing art-punk without a license, Bobb Trimble cohorts and well-intentioned nogoodniks. Ushered in both The Winter of Love and the Age of Peace Love & Alienation - and it's never too late to catch the reflection waves!...more